Do you need ink for your tattoo gun? Well this is an easy way to make your own, instead of spending lots of money buying it.
#
1
Take the plate, the Styrofoam, and lighter outside. Get in a place where there is little or no wind.
#
2
Light the Styrofoam up, this will make black smoke, hold the plate over the smoke and catch as much of it as you can.
#
3
Take the card and scrap up the soot into a pile on the plate and place in a container with a lid. Leave a small amount out and put that in a small container(ex. bottle cap).
#
4
Place 2 or 3 drops of shampoo on top of the soot in the small container. Add water(stir contents as you add the water) until desired thickness.
#
5
Now your ready to use your homemade ink. All you need to do is dip your needle and start.
Sunday, April 10, 2011
Koi Fish Tattoos Meaning and Symbolism
The word \"koi\" comes from Japanese. Koi fish are specially bred in Japan for their color. A prize example can be valued in the $100,000 range. Koi are a type of carp and have been cultivated and bred in Japan for possibly thousands of years.
If you have been to Japan you will notice they are a common feature in most traditional Japanese gardens. They most likely originated from Eastern Asia, Aral, Black and Caspian Seas. Earliest records of Koi have been found in China and have been widely spread in Japan.
For the Japanese Fish Koi represent strength and power because they are often able to lift their entire body up and jump out of the water. Koi fish tattoos are beautiful and wildly popular right now. Koi fish tattoos of course have a long history and go all the way back to ancient Japanese times and it is a definite Japanese or Asian tattoo theme. Therefore the tattoos that represent koi fish often show them splashing in the water and water flying everywhere which shows of their strength. Plus as an added bonus they are an absolute beautiful fish and the colors of them lend themselves to a tattoos.
The beautiful bright oranges mixed wit ht he blues of water make for an ideal tattoo plus since they are traditionally a Japanese tattoo they lend a sort of forgone mystery to their air.
Fish Koi tattoos are now very popular among men and women. Typically men get them on their shoulders or calf and women like to get them as a lower back tattoo.There are a few out there that also get them as full back tattoos with more of a tradition Asian design.
The color scheme of the Koi fish tattoo is very important element. A common color scheme would be the Yen Yang design of black and white. Most of the cases, the color scheme work the best if integrate with your shin color. For instant, if you have a dark or olive skin color it may be more suitable to choose a bright hue so the Koi fish tattoo to make it more visible.
The natural colors of white, red, black, yellow or gold or perhaps a mixture of those colors would be applicable if you really want the test of more traditional style.Always remember that Koi Fish tattoo o needs a place of honor on your body. Men generally get them on their shoulders or calf and women like to get them as a lower back tattoo. Additions- Along with the koi fish tattoo you can always put some water in the background that splashes around the fish. Also Cherry blossom flower are very traditional and go well with a Japanese themed tattoo. Cost-It all depends on what size, how many colors, and type you want.Additions and if you want the work custom designed or you are going to use flash. They typically run between $50 to $250 dollars.
More Koi fish Facts:
1. The Koi is associated with the family. On Children\'s Day Koi flags are raised, Black Koi the father, OrangeRed mother, Blue/White for a boy, red/pink for a girl.
2. The Koi Fish symbolizes courage in the Buddhist Religion. According to Buddhists, humans swim through the ocean of suffering without fear, just like a fish swims through water.
3. Another word to describe love\" is \"koi. The kanji character forkokoro (heart) is included as part of both kanji characters. Both ai and \"koi\" can be translated as
love in English.
If you have been to Japan you will notice they are a common feature in most traditional Japanese gardens. They most likely originated from Eastern Asia, Aral, Black and Caspian Seas. Earliest records of Koi have been found in China and have been widely spread in Japan.
For the Japanese Fish Koi represent strength and power because they are often able to lift their entire body up and jump out of the water. Koi fish tattoos are beautiful and wildly popular right now. Koi fish tattoos of course have a long history and go all the way back to ancient Japanese times and it is a definite Japanese or Asian tattoo theme. Therefore the tattoos that represent koi fish often show them splashing in the water and water flying everywhere which shows of their strength. Plus as an added bonus they are an absolute beautiful fish and the colors of them lend themselves to a tattoos.
The beautiful bright oranges mixed wit ht he blues of water make for an ideal tattoo plus since they are traditionally a Japanese tattoo they lend a sort of forgone mystery to their air.
Fish Koi tattoos are now very popular among men and women. Typically men get them on their shoulders or calf and women like to get them as a lower back tattoo.There are a few out there that also get them as full back tattoos with more of a tradition Asian design.
The color scheme of the Koi fish tattoo is very important element. A common color scheme would be the Yen Yang design of black and white. Most of the cases, the color scheme work the best if integrate with your shin color. For instant, if you have a dark or olive skin color it may be more suitable to choose a bright hue so the Koi fish tattoo to make it more visible.
The natural colors of white, red, black, yellow or gold or perhaps a mixture of those colors would be applicable if you really want the test of more traditional style.Always remember that Koi Fish tattoo o needs a place of honor on your body. Men generally get them on their shoulders or calf and women like to get them as a lower back tattoo. Additions- Along with the koi fish tattoo you can always put some water in the background that splashes around the fish. Also Cherry blossom flower are very traditional and go well with a Japanese themed tattoo. Cost-It all depends on what size, how many colors, and type you want.Additions and if you want the work custom designed or you are going to use flash. They typically run between $50 to $250 dollars.
More Koi fish Facts:
1. The Koi is associated with the family. On Children\'s Day Koi flags are raised, Black Koi the father, OrangeRed mother, Blue/White for a boy, red/pink for a girl.
2. The Koi Fish symbolizes courage in the Buddhist Religion. According to Buddhists, humans swim through the ocean of suffering without fear, just like a fish swims through water.
3. Another word to describe love\" is \"koi. The kanji character forkokoro (heart) is included as part of both kanji characters. Both ai and \"koi\" can be translated as
love in English.
Tattoos in the bronze age
in 1991, a five thousand year old tattooed man ‘ötzi the ice man’
made the headlines of newspapers all over the world when
his frozen body was discovered on a mountain between
austria and italy.
this is the best preserved corpse of that period ever found.
the skin bears 57 tattoos: a cross on the inside of the left knee,
six straight lines 15 centimeters long above the kidneys and
numerous parallel lines on the ankles.
the position of the tattoo marks suggests that they were probably
applied for therapeutic reasons (treatment of arthritis).
made the headlines of newspapers all over the world when
his frozen body was discovered on a mountain between
austria and italy.
this is the best preserved corpse of that period ever found.
the skin bears 57 tattoos: a cross on the inside of the left knee,
six straight lines 15 centimeters long above the kidneys and
numerous parallel lines on the ankles.
the position of the tattoo marks suggests that they were probably
applied for therapeutic reasons (treatment of arthritis).
A brief history of tattoos
the word tattoo is said to has two major derivations- from
the polynesian word ‘ta’ which means striking something
and the tahitian word ‘tatau’ which means ‘to mark something’.
the history of tattoo began over 5000 years ago and is as
diverse as the people who wear them.
tattoos are created by inserting colored materials beneath
the skins surface. the first tattoos probably were created
by accident. someone had a small wound, and rubbed it
with a hand that was dirty with soot and ashes from the fire.
once the wound had healed, they saw that a mark stayed
permanently.
despite the social sciences' growing fascination with tattooing,
and the immense popularity of tattoos themselves,
the practice has not left much of a historical record.
---
bronze age
in 1991, a five thousand year old tattooed man ‘ötzi the ice man’
made the headlines of newspapers all over the world when
his frozen body was discovered on a mountain between
austria and italy.
this is the best preserved corpse of that period ever found.
the skin bears 57 tattoos: a cross on the inside of the left knee,
six straight lines 15 centimeters long above the kidneys and
numerous parallel lines on the ankles.
the position of the tattoo marks suggests that they were probably
applied for therapeutic reasons (treatment of arthritis).
---
pazyryk culture
in 1948, 120 miles north of the border between russia and
china, russian archeologist sergei rudenko began excavating
a group of tombs, or kurgans, in the high altai mountains of
western and southern siberia. mummies were found that date
from around 2400 years ago.
the tattoos on their bodies represent a variety of animals.
the griffins and monsters are thought to have a magical
significance but some elements are believed to be purely
decorative. altogether the tattoos are believed to reflect the
status of the individual.
---
egypt
written records, physical remains, and works of art relevant to
egyptian tattoo have virtually been ignored by earlier egyptologists
influenced by prevailing social attitudes toward the medium.
today however, we know that there have been bodies recovered
dating to as early XI dynasty exhibiting the art form of tattoo.
in 1891, archaeologists discovered the mummified remains
of amunet, a priestess of the goddess hathor, at thebes who
lived some time between 2160 BC and 1994 BC.
this female mummy displayed several lines and dots tattooed
about her body - grouping dots and/or dashes were aligned into
abstract geometric patterns. this art form was restricted
to women only, and usually these women were associated
with ritualistic practice.
the egyptians spread the practice of tattooing throughout the world.
the pyramid-building third and fourth dynasties of egypt
developed international nations with crete, greece, persia,
and arabia. by 2,000 BC the art of tattooing had stretched out all the
way to southeast asia .
the ainu (western asian nomads) then brought it with them
as they moved to japan.
---
japan
the earliest evidence of tattooing in japan is found in the form
of clay figurines which have faces painted or engraved to
represent tattoo marks. the oldest figurines of this kind have
been recovered from tombs dated 3,000 BC or older, and many
other such figurines have been found in tombs dating from the
second and third millennia BC.
these figurines served as stand-ins for living individuals who
symbolically accompanied the dead on their journey into the
unknown, and it is believed that the tattoo marks had religious
or magical significance.
the first written record of japanese tattooing is found in a
chinese dynastic history compiled in 297 AD.
the japanese were interested in the art mostly for its decorative
attributes, as opposed to magical ones. the horis - the japanese
tattoo artists - were the undisputed masters. their use of colors,
perspective, and imaginative designs gave the practice a whole
new angle. the classic japanese tattoo, is a full body suit.
---
china
from southern china the practice spread along the silk route.
---
polynesia
in pacific cultures tattooing has a huge historic significance.
polynesian tattooing is considered the most intricate and
skillful tattooing of the ancient world.
polynesian peoples, believe that a person's mana, their spiritual
power or life force, is displayed through their tattoo.
the vast majority of what we know today about these ancient
arts has been passed down through legends, songs, and ritual
ceremonies. elaborate geometrical designs which were often
added to, renewed, and embellished throughout the life of the
individual until they covered the entire body.
in samoa, the tradition of applying tattoo, or ‘tatau’, by hand,
has long been defined by rank and title, with chiefs and their
assistants, descending from notable families in the proper birth order.
the tattooing ceremonies for young chiefs, typically conducted at
the onset of puberty, were elaborate affairs and were a key part
of their ascendance to a leadership role.
the permanent marks left by the tattoo artists would forever
celebrate their endurance and dedication to cultural traditions.
the first europeans who set foot on samoan soil were members
of a 1787 french expedition. they got a closer look at the natives
and reported that ‘the men have their thighs painted or tattooed
in such a way that one would think them clothed,
although they are almost naked’. the mythological origins of
samoan tattooing and the extraordinary cross-cultural history
of tatau has been transported to the migrant communities of
new zealand, and later disseminated into various international
subcultures from auckland to the netherlands.
the hawaiian people had their traditional tattoo art,
known as ‘kakau’. it served them not only for ornamentation
and distinction, but to guard their health and spiritual well-being.
intricate patterns, mimicking woven reeds or other natural forms,
graced men's arms, legs, torso and face.
women were generally tattooed on the hand, fingers, wrists
and sometimes on their tongue.
the arrival of western missionaries forced this unique art form
into decline as tattooing has been discouraged or forbidden by
most christian churches throughout history.
---
new zealand
the maori of new zealand had created one of the most impressive
cultures of all polynesia. their tattoo, called ‘moko’, reflected their
refined artistry - using their woodcarving skills to carve skin.
the full-face moko was a mark of distinction, which communicated
their status, lines of descent and tribal affiliations. it recalled their
wearer's exploits in war and other great events of their life.
---
indonesia
borneo is one of the few places in the world where traditional
tribal tattooing is still practiced today just as it has been for
thousands of years. until recently many of the inland tribes had
little contact with the outside world.
as a result, they have preserved many aspects of their traditional
way of life, including tattooing.
borneo designs have gone all around the world to form the
basis of what the western people call ‘tribal’.
---
india / thailand
hanuman in india was a popular symbol of strength on
arms and legs. the mythical monk is still today one of the
most popular creations in thailand and myanmar.
they are put on the human body by monks who incorporate
magical powers to the design while tattooing.
women are excluded because monks are not allowed to be
touched by them and because thais believe women do not
need the extra boost as they are already strong enough on
their own.
---
africa
in africa, where people have dark skin, it is difficult to make
coloured tattoos as we know them.
but they want to be tattooed anyway, so they have developed
another technique - they make scarifications (this is not really
tattooing, but it is related to tattooing). made by lifting the skin a little,
and making a cut with a knife or some other sharp thing
special sands or ashes were rubbed in to make raised scars
in patterns on the body, it can be felt like braille lettering...
these patterns often follow local traditions.
---
ancient greece and rome
the greeks learnt tattooing from the persians.
their woman were fascinated by the idea of tattoos as
exotic beauty marks.
the romans adopted tattooing from the greeks.
roman writers such as virgil, seneca, and galenus reported that
many slaves and criminals were tattooed.
a legal inscription from ephesus indicates that during the early
roman empire all slaves exported to asia were tattooed with the
words ‘tax paid’.
greeks and romans also used tattooing as a punishment.
early in the fourth century, when constantine became roman emperor
and rescinded the prohibition on christianity, he also banned tattooing
on face, which was common for convicts, soldiers, and gladiators.
constantine believed that the human face was a representation of the
image of god and should not be disfigured or defiled.
---
the celts
were a tribal people who moved across western europe in times
around 1200 and 700 B.C. they reached the british Isles around
400 B.C. and most of what has survived from their culture is in
the areas now known as ireland, wales and scotland.
celtic culture was full of body art.
permanent body painting was done with woad, which left a blue
design on the skin. spirals are very common, and they can be single,
doubled or tripled. knotwork is probably the most recognized form
of celtic art, with lines forming complex braids which then weave
across themselves. these symbolise the connection of all life.
step or key patterns, like those found in early labyrinth designs,
are seen both in simple borders and full complex mazes.
much in the way that labyrinths are walked, these designs are
symbolic of the various paths that life’s journey can take.
---
central and south america
in peru, tattooed inca mummies dating to the 11th century
have been found. 16th century spanish accounts of mayan tattooing
in mexico and central americareveal tattoos to be a sign of courage.
when cortez and his conquistadors arrived on the coast of mexico
in 1519 they were horrified to discover that the natives
not only worshipped devils in the form of statues and idols,
but had somehow managed to imprint indelible images of these
idols on their skin. the spaniards, who had never heard of tattooing,
recognized it at once as the work of satan.
the sixteenth century spanish historians who chronicled the
adventures of cortez and his conquistadors reported that tattooing
was widely practiced by the natives of central america.
---
north america
early jesuit accounts testify to the widespread practice of
tattooing among native americans.
among the chickasaw, outstanding warriors were recognised
by their tattoos. among the ontario iroquoians, elaborate
tattoos reflected high status. in north-west america,
inuit women's chins were tattooed to indicate marital status
and group identity.
the first permanent tattoo shop in new york city was settled up
in 1846 and began a tradition by tattooing military servicemen
from both sides of the civil war. samuel o'reilly invented the electric
tattooing machine in 1891.
---
middle-east
during the time of the old testament, much of the pagan world
was practicing the art of tattooing as a means of deity worship.
a passage in leviticus reads:
‘ye shall not make any cuttings on your flesh for the dead nor
print any marks upon you’. (19:28)
this has been cited as biblical authority to support the church's
position. biblical scholar m.w. thomson suggests, however, that
moses favored tattoos. moses introduced tattoos as a way to
commemorate the deliverance of the jews from slavery in egypt.
---
vikings
it is very likely that the vikings were tattooed.
at around year 1100 the arab ibn fadlan described a
meeting with some vikings. he thought them very rude, dirty
- and covered with pictures.
---
england
explorers returned home with tattooed polynesians
to exhibit at fairs, in lecture halls and in dime museums,
to demonstrate the height of european civilization compared
to the ‘primitive natives’.
after captain cook returned from his voyage to polynesia
tattooing became a tradition in the british navy.
by the middle of the 18th century most british ports had
at least one professional tattoo artist in residence.
in 1862, the prince of wales, later to become king edward VII,
received his first tattoo - a jerusalem cross - on his arm.
he started a tattoo fad among the aristocracy when he was
tattooed before ascending to the throne.
in 1882, his sons, the duke of clarence and the duke of york
were tattooed by the japanese master tattooist, hori chiyo.
---
france
in the 18th century, many french sailors returning from voyages
in the south pacific had been tattooed.
in 1861, french naval surgeon, maurice berchon, published a study
on the medical complications of tattooing.
after this, the navy and army banned tattooing within their ranks.
the polynesian word ‘ta’ which means striking something
and the tahitian word ‘tatau’ which means ‘to mark something’.
the history of tattoo began over 5000 years ago and is as
diverse as the people who wear them.
tattoos are created by inserting colored materials beneath
the skins surface. the first tattoos probably were created
by accident. someone had a small wound, and rubbed it
with a hand that was dirty with soot and ashes from the fire.
once the wound had healed, they saw that a mark stayed
permanently.
despite the social sciences' growing fascination with tattooing,
and the immense popularity of tattoos themselves,
the practice has not left much of a historical record.
---
bronze age
in 1991, a five thousand year old tattooed man ‘ötzi the ice man’
made the headlines of newspapers all over the world when
his frozen body was discovered on a mountain between
austria and italy.
this is the best preserved corpse of that period ever found.
the skin bears 57 tattoos: a cross on the inside of the left knee,
six straight lines 15 centimeters long above the kidneys and
numerous parallel lines on the ankles.
the position of the tattoo marks suggests that they were probably
applied for therapeutic reasons (treatment of arthritis).
---
pazyryk culture
in 1948, 120 miles north of the border between russia and
china, russian archeologist sergei rudenko began excavating
a group of tombs, or kurgans, in the high altai mountains of
western and southern siberia. mummies were found that date
from around 2400 years ago.
the tattoos on their bodies represent a variety of animals.
the griffins and monsters are thought to have a magical
significance but some elements are believed to be purely
decorative. altogether the tattoos are believed to reflect the
status of the individual.
---
egypt
written records, physical remains, and works of art relevant to
egyptian tattoo have virtually been ignored by earlier egyptologists
influenced by prevailing social attitudes toward the medium.
today however, we know that there have been bodies recovered
dating to as early XI dynasty exhibiting the art form of tattoo.
in 1891, archaeologists discovered the mummified remains
of amunet, a priestess of the goddess hathor, at thebes who
lived some time between 2160 BC and 1994 BC.
this female mummy displayed several lines and dots tattooed
about her body - grouping dots and/or dashes were aligned into
abstract geometric patterns. this art form was restricted
to women only, and usually these women were associated
with ritualistic practice.
the egyptians spread the practice of tattooing throughout the world.
the pyramid-building third and fourth dynasties of egypt
developed international nations with crete, greece, persia,
and arabia. by 2,000 BC the art of tattooing had stretched out all the
way to southeast asia .
the ainu (western asian nomads) then brought it with them
as they moved to japan.
---
japan
the earliest evidence of tattooing in japan is found in the form
of clay figurines which have faces painted or engraved to
represent tattoo marks. the oldest figurines of this kind have
been recovered from tombs dated 3,000 BC or older, and many
other such figurines have been found in tombs dating from the
second and third millennia BC.
these figurines served as stand-ins for living individuals who
symbolically accompanied the dead on their journey into the
unknown, and it is believed that the tattoo marks had religious
or magical significance.
the first written record of japanese tattooing is found in a
chinese dynastic history compiled in 297 AD.
the japanese were interested in the art mostly for its decorative
attributes, as opposed to magical ones. the horis - the japanese
tattoo artists - were the undisputed masters. their use of colors,
perspective, and imaginative designs gave the practice a whole
new angle. the classic japanese tattoo, is a full body suit.
---
china
from southern china the practice spread along the silk route.
---
polynesia
in pacific cultures tattooing has a huge historic significance.
polynesian tattooing is considered the most intricate and
skillful tattooing of the ancient world.
polynesian peoples, believe that a person's mana, their spiritual
power or life force, is displayed through their tattoo.
the vast majority of what we know today about these ancient
arts has been passed down through legends, songs, and ritual
ceremonies. elaborate geometrical designs which were often
added to, renewed, and embellished throughout the life of the
individual until they covered the entire body.
in samoa, the tradition of applying tattoo, or ‘tatau’, by hand,
has long been defined by rank and title, with chiefs and their
assistants, descending from notable families in the proper birth order.
the tattooing ceremonies for young chiefs, typically conducted at
the onset of puberty, were elaborate affairs and were a key part
of their ascendance to a leadership role.
the permanent marks left by the tattoo artists would forever
celebrate their endurance and dedication to cultural traditions.
the first europeans who set foot on samoan soil were members
of a 1787 french expedition. they got a closer look at the natives
and reported that ‘the men have their thighs painted or tattooed
in such a way that one would think them clothed,
although they are almost naked’. the mythological origins of
samoan tattooing and the extraordinary cross-cultural history
of tatau has been transported to the migrant communities of
new zealand, and later disseminated into various international
subcultures from auckland to the netherlands.
the hawaiian people had their traditional tattoo art,
known as ‘kakau’. it served them not only for ornamentation
and distinction, but to guard their health and spiritual well-being.
intricate patterns, mimicking woven reeds or other natural forms,
graced men's arms, legs, torso and face.
women were generally tattooed on the hand, fingers, wrists
and sometimes on their tongue.
the arrival of western missionaries forced this unique art form
into decline as tattooing has been discouraged or forbidden by
most christian churches throughout history.
---
new zealand
the maori of new zealand had created one of the most impressive
cultures of all polynesia. their tattoo, called ‘moko’, reflected their
refined artistry - using their woodcarving skills to carve skin.
the full-face moko was a mark of distinction, which communicated
their status, lines of descent and tribal affiliations. it recalled their
wearer's exploits in war and other great events of their life.
---
indonesia
borneo is one of the few places in the world where traditional
tribal tattooing is still practiced today just as it has been for
thousands of years. until recently many of the inland tribes had
little contact with the outside world.
as a result, they have preserved many aspects of their traditional
way of life, including tattooing.
borneo designs have gone all around the world to form the
basis of what the western people call ‘tribal’.
---
india / thailand
hanuman in india was a popular symbol of strength on
arms and legs. the mythical monk is still today one of the
most popular creations in thailand and myanmar.
they are put on the human body by monks who incorporate
magical powers to the design while tattooing.
women are excluded because monks are not allowed to be
touched by them and because thais believe women do not
need the extra boost as they are already strong enough on
their own.
---
africa
in africa, where people have dark skin, it is difficult to make
coloured tattoos as we know them.
but they want to be tattooed anyway, so they have developed
another technique - they make scarifications (this is not really
tattooing, but it is related to tattooing). made by lifting the skin a little,
and making a cut with a knife or some other sharp thing
special sands or ashes were rubbed in to make raised scars
in patterns on the body, it can be felt like braille lettering...
these patterns often follow local traditions.
---
ancient greece and rome
the greeks learnt tattooing from the persians.
their woman were fascinated by the idea of tattoos as
exotic beauty marks.
the romans adopted tattooing from the greeks.
roman writers such as virgil, seneca, and galenus reported that
many slaves and criminals were tattooed.
a legal inscription from ephesus indicates that during the early
roman empire all slaves exported to asia were tattooed with the
words ‘tax paid’.
greeks and romans also used tattooing as a punishment.
early in the fourth century, when constantine became roman emperor
and rescinded the prohibition on christianity, he also banned tattooing
on face, which was common for convicts, soldiers, and gladiators.
constantine believed that the human face was a representation of the
image of god and should not be disfigured or defiled.
---
the celts
were a tribal people who moved across western europe in times
around 1200 and 700 B.C. they reached the british Isles around
400 B.C. and most of what has survived from their culture is in
the areas now known as ireland, wales and scotland.
celtic culture was full of body art.
permanent body painting was done with woad, which left a blue
design on the skin. spirals are very common, and they can be single,
doubled or tripled. knotwork is probably the most recognized form
of celtic art, with lines forming complex braids which then weave
across themselves. these symbolise the connection of all life.
step or key patterns, like those found in early labyrinth designs,
are seen both in simple borders and full complex mazes.
much in the way that labyrinths are walked, these designs are
symbolic of the various paths that life’s journey can take.
---
central and south america
in peru, tattooed inca mummies dating to the 11th century
have been found. 16th century spanish accounts of mayan tattooing
in mexico and central americareveal tattoos to be a sign of courage.
when cortez and his conquistadors arrived on the coast of mexico
in 1519 they were horrified to discover that the natives
not only worshipped devils in the form of statues and idols,
but had somehow managed to imprint indelible images of these
idols on their skin. the spaniards, who had never heard of tattooing,
recognized it at once as the work of satan.
the sixteenth century spanish historians who chronicled the
adventures of cortez and his conquistadors reported that tattooing
was widely practiced by the natives of central america.
---
north america
early jesuit accounts testify to the widespread practice of
tattooing among native americans.
among the chickasaw, outstanding warriors were recognised
by their tattoos. among the ontario iroquoians, elaborate
tattoos reflected high status. in north-west america,
inuit women's chins were tattooed to indicate marital status
and group identity.
the first permanent tattoo shop in new york city was settled up
in 1846 and began a tradition by tattooing military servicemen
from both sides of the civil war. samuel o'reilly invented the electric
tattooing machine in 1891.
---
middle-east
during the time of the old testament, much of the pagan world
was practicing the art of tattooing as a means of deity worship.
a passage in leviticus reads:
‘ye shall not make any cuttings on your flesh for the dead nor
print any marks upon you’. (19:28)
this has been cited as biblical authority to support the church's
position. biblical scholar m.w. thomson suggests, however, that
moses favored tattoos. moses introduced tattoos as a way to
commemorate the deliverance of the jews from slavery in egypt.
---
vikings
it is very likely that the vikings were tattooed.
at around year 1100 the arab ibn fadlan described a
meeting with some vikings. he thought them very rude, dirty
- and covered with pictures.
---
england
explorers returned home with tattooed polynesians
to exhibit at fairs, in lecture halls and in dime museums,
to demonstrate the height of european civilization compared
to the ‘primitive natives’.
after captain cook returned from his voyage to polynesia
tattooing became a tradition in the british navy.
by the middle of the 18th century most british ports had
at least one professional tattoo artist in residence.
in 1862, the prince of wales, later to become king edward VII,
received his first tattoo - a jerusalem cross - on his arm.
he started a tattoo fad among the aristocracy when he was
tattooed before ascending to the throne.
in 1882, his sons, the duke of clarence and the duke of york
were tattooed by the japanese master tattooist, hori chiyo.
---
france
in the 18th century, many french sailors returning from voyages
in the south pacific had been tattooed.
in 1861, french naval surgeon, maurice berchon, published a study
on the medical complications of tattooing.
after this, the navy and army banned tattooing within their ranks.
Tribal Tattoos
When I was still slinging ink, I did a lot of tribal designs. They seemed to be very popular with the 90's generation of punker kids.
Tribal Tattoos are generally associated with the "Modern Primative" movement and incorporate a variety of artistic styles adopted from Aztec, Mayan and other ancient cultures. Most tribal tattoos are done in a single color, usually black with the most common being arm or leg bands.
Here's a design I did on a client several years ago.
It combines Mayan and Aztec styles.
Tribal Tattoos are generally associated with the "Modern Primative" movement and incorporate a variety of artistic styles adopted from Aztec, Mayan and other ancient cultures. Most tribal tattoos are done in a single color, usually black with the most common being arm or leg bands.
Here's a design I did on a client several years ago.
It combines Mayan and Aztec styles.
Tattoo is not just a form of art
There are different uses of tattoo. Tattoo isn't only a way of art and expression is also use as;
Decorative and spiritual uses
Identification
Cosmetic
Medical--- so as you know medical tattoos are used to ensure instruments are properly located for repeated application of radiotherapy and for the areola in some forms of breast reconstruction. Tattooing has also been used to convey medical information about the wearer (e.g. blood group). Tattoos are used in skin tones to cover vitiligo, skin pigmentation disorder.
Decorative and spiritual uses
Identification
Cosmetic
Medical--- so as you know medical tattoos are used to ensure instruments are properly located for repeated application of radiotherapy and for the areola in some forms of breast reconstruction. Tattooing has also been used to convey medical information about the wearer (e.g. blood group). Tattoos are used in skin tones to cover vitiligo, skin pigmentation disorder.
Tatoo: BAD?
Tattoo has a long diverse history. Most people had associated tattoo with some bad stuffs. You can't blame them because Tattoo was once become apart of notorious organization.
In Japan, tattoos are strongly associated with organized crime organizations known as the yakuza, particularly full body tattoos done the traditional Japanese way (Tebori). Many public Japanese bathhouses (sentō) and gymnasiums often openly ban those bearing large or graphic tattoos in an attempt to prevent Yakuza from entering.
In the United States many prisoners and criminal gangs use distinctive tattoos to indicate facts about their criminal behavior, prison sentences, and organizational affiliation. A tear tattoo, for example, can be symbolic of murder, with each tear representing the death of a friend.
Tattooing was also used by the Nazi regime in Nazi concentration camps to tag prisoners.
Tattoos are generally considered an important part of the culture of the Russian mafia.
In Japan, tattoos are strongly associated with organized crime organizations known as the yakuza, particularly full body tattoos done the traditional Japanese way (Tebori). Many public Japanese bathhouses (sentō) and gymnasiums often openly ban those bearing large or graphic tattoos in an attempt to prevent Yakuza from entering.
In the United States many prisoners and criminal gangs use distinctive tattoos to indicate facts about their criminal behavior, prison sentences, and organizational affiliation. A tear tattoo, for example, can be symbolic of murder, with each tear representing the death of a friend.
Tattooing was also used by the Nazi regime in Nazi concentration camps to tag prisoners.
Tattoos are generally considered an important part of the culture of the Russian mafia.
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